Nadeszła sobota więc jak zwykle zapraszam na kolejny odcinek cyklu. Dzisiaj m.in. cytat z dzieła Duńczyka Larsa von Triera „Dogville”, filmu na podstawie powieści Cormaca McCarthy’ego z Oscarową kreacja Javiera Bardema „To nie jest kraj dla starych ludzi”, miniserialu biograficzne z duetem Sama Rockwella i Michelle Williams „Fosse/Verdon” oraz komediodramatu „Lady Bird”

Moje własne Idaho (1991, reż. Gus Van Sant) There's not another road anywhere that looks like this road, I mean exactly like this road. It's one kind of place, one of a kind. Like someone's face. Like a fucked-up face.

Dogville (2003, reż. Lars von Trier) hether Grace left Dogville, or on the contrary Dogville had left her - and the world in general - is a question of a more artful nature that few would benefit from b4y asking, and even fewer by providing an answer. And nor indeed will it be answered here.

To nie jest kraj dla starych ludzi (2007, reż. Ethan Coen, Joel Coen) Anywhere not in your pocket, where it will get mixed in with the others and become just a coin, which it is.

Hannibal (2013-2015) One can appreciate another’s words without dissecting them. Though, on occasion, dissection is the only thing that will do.

Westworld (2016-) If I said it once, I said it a thousand times. I don’t care they’re Irish. I don’t care they’re Catholic. If there’s one person you can’t trust in this life, it’s millionaires’ kids.

Lady Bird (2017, reż. Greta Gerwig) You give me a number for how much it cost to raise me. And I'm going to get older and make a lot of money, and write you a check for what I owe you. So that I never have to speak to you again.

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Irlandczyk (2019. reż. Martin Scorsese) If I said it once, I said it a thousand times. I don’t care they’re Irish. I don’t care they’re Catholic. If there’s one person you can’t trust in this life, it’s millionaires’ kids.

Nieoszlifowane diamenty (2109, reż. Joshua Safdie, Benny Safdie) I think you are the most annoying person I have ever met. I hate being with you, I hate looking at you... And if I had my way I would never - see you - again.

Le Mans ’66 (2019, reż. James Mangold) It's a truly lucky man who knows what he wants to do in world. Because that man will ever work a day in this life.

Fosse/Verdon (2019) You know the best part of being scared, turned on, confused, guilty, self-loathing and in lust all at the same time? It screws up your relationships for the rest of your life.

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