Zapraszam na kolejny odcinek cytatów filmowych. Tym razem cofniemy się do wczesnych lat kina. Dzisiaj m.in. cytat z filmu, w którym duet zagrali Paul Newman wraz z Elizabeth Taylor „Kotka na gorącym blaszanym dachu”, dzieła Elia Kazana „Na nabrzeżach”, melodramatu opartego na powieści Ernesta Hemingwaya „Mieć i nie mieć” oraz francuskiego kryminału „Strzelajcie do pianisty”

Mieć i nie mieć (1944, reż.  Howard Hawks) Drinking don't bother my memory. If it did I wouldn't drink. I couldn't. You see, I'd forget how good it was, then where'd I be? Start drinkin' water, again.

Gilda (1946, reż. Charles Vidor) Hateis a very exciting emotion. Haven't you noticed? Very exciting. I hate you too, Johnny. I hate you so much I think I'm going to die from it.

Bulwar Zachodzącego Słońca (1950, reż. Billy Wilder)  You are, are you? writing words, words, more words! Well, you'll make a rope of words and strangle this business! With a microphone there to catch the last gurgles, and Technicolor to photograph the red, swollen tongues!

Młody człowiek z trąbką (1950, reż. Michael Curtiz) You think you’re falling in love with me. You don’t. Don’t take any chances with me. Only people who respect themselves can ever love fully and freely. I don’t have any respect for myself.

Na nabrzeżach (1954, reż. Elia Kazan) You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let's face it. It was you, Charley.

Kotka na gorącym blaszanym dachu (1958, reż, Richard Brooks) It's easin' somewhat now. When you got pain, it's better to judge yourself of a lot of things. I'm not gonna stupify myself with that stuff. I wanna think clear. I want to see everything, and I want to feel everything. Then I won't mind goin'. I've got the guts to die. What I want to know - do you have the guts to live?

Strzelajcie do pianisty (1960, reż. François Truffaut) When you're lost in the night, you can't stop the shadows from closing in. It gets darker and darker. You feel trapped, you don't know what to do.

Bonnie i Clyde (1961, reż, Arthur Penn) You know what you done there? You told my story, you told my whole story right there, right there. One time, I told you I was gonna make you somebody. That's what you done for me. You made me somebody they're gonna remember.

Wczoraj, dziś, jutro (1963, reż. Vittorio De Sica) Do you like traveling? So do I! The minute I can, I go far away from everything. I'm so tired of my world, the people I know. There's an oasis in Africa, near Marrakesh. It's divine! You live on sun and fruit, lots of fruit.

Szczęście (1965, reż. Agnès Varda) You and I and the kids, we're like an apple orchard, a square field. Then I notice an apple tree that grows outside the field and blooms with us. More flowers, more apples. It adds up, you know.

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