Zapraszam nietypowo w niedziele na kolejną porcję cytatów. Dzisiaj m.in. cytat z kultowego dzieła Martina Scorsese „Taksówkarz”, dramatu biograficznego „Capote”, w którym Philip Seymour Hoffman zagrał wybitnego pisarza Trumana Capote oraz duńskiej produkcji w reżyserii Larsa von Triera „Przełamując fale".

Pięć łatwych utworów (1970, reż. Bob Rafelson) One thing I find very difficult to imagine is how one could have this incredible background in music and then just walk away from it without giving it a second thought at all.

Taksówkarz (1976, reż. Martin Scorsese) All my life needed was a sense of someplace to go. I don't believe that one should devote his life to morbid self-attention. I believe that someone should become a person like other people.

Dawno temu w Ameryce (1984, reż. Sergio Leone)` You can always tell the winners at the starting gate. You can always tell the winners, and you can tell the losers.

Przełamując fale (1996. reż. Lars von Trier) I don't understand what you're saying. How can you love a word? You cannot love words. You can't be in love with a word. You can only love another human being. That's perfection.

Boogie Nights (1997, reż. Paul Thomas Anderson) That can you expect when you're on top? You know? It's like Napoleon. When he was the king, you know, people were just constantly trying to conquer him, you know, in the Roman Empire. So, it's history repeating itself all over again.

Braterstwo wilków (2001, reż. Christophe Gans) Do you know how Florentine women ensure their husbands come home? Every morning they slip him a slow poison, and every evening the antidote. That way, when the husband spends the night away, he has a very bad night.

Capote (2005, reż. Bennett Miller) It's the hardest when someone has a notion about you, and it's impossible to convince them otherwise.

Skóra, w której żyję (2011, reż. Pedro Almodóvar) We intervene in everything around us. Meat, clothes, vegetables, fruit, everything! Why not use scientific advances to improve our species? You know how many diseases we could cure with transgenesis? Or the genetic malformations that could be avoided?

Tylko kochankowie przeżyją (2013, reż, Jim Jarmusch) I like to come to the source. Besides, the mutual jeopardy makes me feel safer.

Grand Budapest Hotel (2014, reż. Wes Anderson)  I must say, I find that girl utterly delightful. Flat as a board, enormous birthmark the shape of Mexico over half her face, sweating for hours on end in that sweltering kitchen, while Mendl, genius though he is, looms over her like a hulking gorilla. Yet without question, without fail, always and invariably, she's exceedingly lovely.

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