Zapraszam na kolejną odsłonę sobotniego cyklu. Dzisiaj m.in. cytat z dzieła Terry'go Gilliama „Las Vegas Parano”, dramatu na podstawie powieści Kena Keseya „Lot nad kukułczym gniazdem”, filmu, w którym zagrała Brigitte Bardot „Pogarda” oraz kultowego dramatu z elementami Sci-fi „Mechaniczna pomarańcza”

Noce Cabirii (1957, reż. Federico Fellini) Guess there's some justice in the world. You suffer, you go through hell. Then happiness comes along or everyone.

Pogarda (1963, reż. Jean-Luc Godard) Why does money matter so much in what we do, in what we are, in what we become? Even in our relationships with those we love?

Moja noc u Maud (1969, Éric Rohmer) Ideally, one should never have to leave people. One shouldn't have to forget people. There should be one love, no other - not even platonic.

Mechaniczna pomarańcza (1971, Stanley Kubrick) Suddenly, I viddied what I had to do, and what I had wanted to do, and that was to do myself in; to snuff it, to blast off for ever out of this wicked, cruel world. One moment of pain perhaps and, then, sleep for ever, and ever and ever.

Zawód: reporter (1975, reż. Michelangelo Antonioni) Wouldn't it be better if we could just forget old places. Forget everything that happens. Just throw it all away, day by day. Unfortunately, the world doesn't work that way. But, it doesn't work the other way either - and that's the problem.

Lot nad kukułczym gniazdem (1975, reż. Miloš Forman) They was giving me ten thousand watts a day, you know, and I'm hot to trot! The next woman takes me on's gonna light up like a pinball machine and pay off in silver dollars!

Narkotykowy kowboj (1989, reż. Gus Van Sant) Most people don't know how they're gonna feel from one moment to the next. But a dope fiend has a pretty good idea. All you gotta do is look at the labels on the little bottles.

Las Vegas Parano (1998, reż. Terry Gilliam) There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.

Gra w serca (1998, reż. Willard Carroll) he wonderful thing about falling in love is you learn everything about that person and so quickly. And if it's true love, then you start to see yourself through their eyes. And it brings out the best in you. It's almost as if you're falling in love with yourself.

W stronę morza (2004, reż. Alejandro Amenábar) Well, that depends on the powers that be. They'll have to overcome their fear. But hey, it's really no big deal. Death has always been with us and always will be. It catches up with all of us. Everyone. It's part of us. So why are they shocked because I choose to die, as if it were contagious?

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