Z małym opóźnieniem zapraszam na kolejną odsłonę cyklu. Dzisiaj m.in. cytat z klubowego dzieła Quentina Tarantino „Wściekłe psy”, niezapominanego serialu stworzonego przez Davida Lyncha i Marka Frosta „Miasteczko Twin Peaks”, dramatu z główną rolą Joaquina Phoenixa „Mistrz” oraz komedii kryminalnej „Big Lebowski".

Miasteczko Twin Peaks (1990-1991) I believe you. I applaud your desire to do the right thing. But goodness in you is like a timebomb. And there's nothing good about ruined lives.

Wściekłe psy (1992, reż. Quentin Tarantino) Look man, undercover cops gotta be Marlon Brando, man. To do this job you gotta be a great actor. You gotta be naturalistic. You gotta be naturalistic as hell. If you ain't a Brando actor, you're a bad actor. And bad acting is bullshit in this job.

Przyjaciele (1994-2004) Look around you guys this was your first home and it was a happy place filled with love and laughter but more importantly because it was rent controlled it was a freakin steel.

Przed wschodem słońca (1995, reż. Richard Linklater) It's just, people have these romantic projections they put on everything. That's not based on any kind of reality.

Big Lebowski (1998, eeż. Ethan Coen, Joel Coen) I've got some information, alright. Certain things have come to light. Has it ever occurred to you, instead of running around blaming me, given the nature of all this new shit. Ya know, this could be a lot more, uh, uh, complex. It might not be such a simple, ya know.

Rodzina Soprano (1999-2007) This is gonna sound stupid, but I saw at one point that our mothers are … bus drivers. No, they are the bus. See, they’re the vehicle that gets us here. They drop us off and go on their way. They continue on their journey. And the problem is that we keep tryin’ to get back on the bus, instead of just lettin’ it go.

Requiem dla snu (2000, reż. Darren Aronofsky) There's a sorrow and pain in everyone's life, but every now and then there's a ray of light that melts the loneliness in your heart and brings comfort like hot soup and a soft bed.

Oldboy (2003, reż. Park Chan-wook) Your gravest mistake wasn't failing to find the answer. You can't find the right answer if you ask the wrong questions.

Między słowami (2003, reż. Sofia Coppola) Well you figure, you sleep one-third of your life, that knocks out eight years of marriage right there. So you're, y'know, down to 16 in change. You know you're just a teenager, at marriage, you can drive it but there's still the occasional accident.

Mistrz (2012, reż. Paul Thomas Anderson)  If, if you already know the answers to your questions, then why as? We are not helpless. And we are on a journey that risks the dark. If you don't mind, a good night to you.

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