Sobota z cytatami (odc.236)

sierpnia 04, 2018

Przed Wami kolejna odsłona sobotniego cyklu.
Dzisiaj m.in. cytat z biografii „W stronę morza”, w której główną rolę zagrał Javier Bardem, dzieła Luca Bessona „Leon zawodowiec”, dokumentu o Nicku Cave „One More Time with Feeling” oraz słynnego serialu kryminalnego „Detektyw”

Leon zawodowiec (1994, reż. Luc Besson)
I like these calm little moments before the storm. It reminds me of Beethoven. Can you hear it? It's like when you put your head to the grass and you can hear the growin' and you can hear the insects.

Dym (1996, reż. Paul Auster, Wayne Wang)
If it happens it happens. If it doesn't it doesn't. You understand what I'm sayin'? You never know what's gonna happen next. And the moment you think you do, that's the moment you don't know a goddamn thing. This is what we call a paradox.

Wieczność i jeden dzień (1998, reż. Theodoros Angelopoulos)
Why, mother, nothing happens as we wish? Why? Why does one have to rot in silence torn between pain and desire? Why did I live my life in exile. Tell me mother, why can't one learn to love?

Patch Adams (1998, reż. Tom Shadyac)
See what no one else sees. See what everyone chooses not to see… out of fear, conformity or laziness. See the whole world anew each day!

W stronę morza (2014, reż. lejandro Amenábar)
When you can't escape, and you constantly rely on everyone else, you learn to cry by smiling, you know?

Dr House (2004-2012)
There is not a thin line between love and hate. There is - in fact - a Great Wall of China with armed sentries posted every 20 feet between love and hate.

Zapiski z Toskanii (2010, reż. Abbas Kiarostami)
It seems to me that the human race is the only species who have forgotten the whole purpose of life, the whole meaning of existence is to have fun, to have pleasure. And here is someone who's found their own way to do it. We shouldn't judge them for it. If they're happy and enjoying life, we should congratulate tchem, not criticize them.

Detektyw (2014-)
I think human consciousness, is a tragic misstep in evolution. We became too self-aware, nature created an aspect of nature separate from itself, we are creatures that should not exist by natural law. We are things that labor under the illusion of having a self, an accretion of sensory, experience and feeling, programmed with total assurance that we are each somebody, when in fact everybody is nobody.

Sól Ziemi (2014, reż. Wim Wenders, Juliano Ribeiro Salgado)
We are a ferocious animal. We humans are terrible animals. Our history is a history of wars. It's an endless story, a tale of madness.

One More Time with Feeling (2016, reż. Andrew Dominik)
Women have more facets than men. Men are pretty much two-dimensional, and women are like fucking 3-D. My wife is spectacularly three dimensional. Every time I try to get a handle on her, and to pull her into focus, she shifts and change and becomes someone else, or worse she steps out of the frame entirely, and I am left with a hovering ghost image that is burned on my retina, like I've stared into a spotlight, and closed my eyes. Eventually she steps back into the frame, and I pull her back into focus, but she's changed because she's been out there, communing with the dead.

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